„If there is anything interesting in composing – with or without computers – is the opportunity to deal with abstract concepts while manipulating concrete material. In particular, computer-based compositional systems provide extended control over sound properties and aspects of musical structure presenting the opportunity to merge those two into new musical forms.”
Microseq has being active at the intersection of electronic „art” music (academic/non-academic), „new” music and „pop” electronic music; reinvented media of electronic music production and redefined aesthetics as to approach a broader audience to communicate an artistic message talking the language of „pop” culture while using cutting-edge techniques for music composition and performance. This tendency is a manifestation of a post-digital (music) culture…
Microseq </live>
… an immersive post-digital sonic world enhanced by the physicality of real-time manipulation of sound-synthesis parameters. Sound is manipulated and deconstructed through a complex network of algorithms and various digital signal processing units. Microseq’s novel (sonic) world pursues musical discourse in terms of developmental sound design, where different styles and forms are being introduced, decomposed and warped…
Listen special Guest Cast for Radio-Alternator.com
Podcast: Play in new window | Download (96.5MB) | Embed
„Avalanche” (00:00)
„Paper Moon” (01:24)
„Green” (03:03)
„Cyan” (09:20)
„Empty Shell” (11:33)
„Black Sigatoka” (15:58)
„A Walk In The City” (19:03)
„#008000” (23:32)
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http://myspace.com/microseq
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